Tuesday, January 8, 2013

2013..much in store, and much out of store...

The past few years have seen a lot of change in my boutique and workspace. I have had my business for over 15 years now and I am finally realizing where I need to be. And it is no longer in my boutique dealing with the day-to-day clientele. Blackmail, the iconic shop that has been my "baby" for years, will continue to exist but I will be moving my atelier - my work area. I will have the same amount of space in another location. I will be working near Evan, I will have my cave that I have always wanted. Stay tuned for more details...

Wednesday, November 21, 2012

The Bell Jar...

After a Fashion: A Deeper Code Your Style Avatar trains the spotlight on the latest collection by Gail Chovan BY STEPHEN MACMILLAN MOSER, FRI., NOV. 23, 2012 Two days after my own show, I was still so drained and weak that the idea of going anywhere except the hospital was out of the question. But then again, it was Gail Chovan's show, and, in almost 14 years, I've never missed a single one. Gail is the real fashion star in Austin, leaving other designers in the dust with her designs and concepts. Never one to follow any trend, she works within a bell jar, creating her monochromatic fantasy world and making clothes for women who have a mind of their own. Two days before her own show, my longtime friend showed a preview of this new collection at my Eleven Eleven show at the Driskill for Hospice Austin. I'd desperately wanted her counterpoint to balance my show and frankly, did not care what she showed, as long as she did show. She did, and it was perfect. For her to take the time to do my show, when her own was so precariously close, was a supreme compliment to me and clear evidence of devotion. So, miss her show because I was weak and ill? Forget it. Not gonna happen. I compiled an ensemble that looked like it may have come out of Grace Jones' closet, all in black leather and gray. Escorted by my devoted co-producer, art director, best friend, and muse, Jacki Oh (in all black, of course), we walked into Justine's for the show, which was called "de quoi avez-vous peur? [what are you afraid of?]." Directed to an extremely long, medieval-type table adorned in ivy and black candles, I sat with Jacki, Micky Hoogendijk (aka ANTG – America's Next Top Goddess), and Ross Bennett. We were given soup and bread (no spoons) and drank from our bowls as the models scaled a small set of steps and paced themselves, bare feet streaked with black paint, down the middle of the table. Ghostlike and wearing black leather with hand-knotted fringe, sometimes combined with various sheer blacks and gray lace, the collection did indeed make the viewer ponder the question, "What are you afraid of?," among many others. That is Gail's very stock-in-trade: Keep 'em guessing. Make them think outside of the box, and, as a matter of fact, crush the box to pieces and then burn it. What rises from those ashes are Gail's collections, free of constraint, flouting convention, and taking us to places we've never dreamed of. Quotes Gail on her website, www.blackmailboutique.com, "It's about atemporality. About opting out of the industrialization of novelty. It's about deeper code" (William Gibson, Zero History). As a designer, Gail has a deeper code than any other designer I've met. It nourishes her, it propels her, it makes her crazy sometimes, but the finished effect is always breathtaking in its concept. Congratulations on Collection 15, Gail. To paraphrase what I said at the Austin Fashion Awards when you received your award: In my personal pantheon of fashion icons, you are Goddess No. 1.

Monday, November 19, 2012

Sunday, October 28, 2012

Collection in full production...Does anyone care about this fabric and weight besides me?

Silk jersey as black and as slinky as Coco Chanel. Amazing couture silk in shaded browns (yes, I said brown) with felt and beaded paillettes - direct from Paris this summer. Only 3 metres to use sparingly. Combined with the black silk jersey and backed in silk chiffon, it hangs like a dream on the bias. Only 3 looks as that is all the fabric that I have. One of a kind. Black leather with Latigo lace hand-cut fringe, backed and lined with Cabana linen. Black of course. This will be my most reproducible capsule collection and the one that I will wear often. 5 looks. Hand-dyed 1930's Clarksville cotton/shredded drapery lace - we haven't gotten the color just right yet, Aaron and I are playing with different dyes to obtain just the grey/gray that speaks to us... with blue grey/gray underpinnings of cotton jersey...again the weight hangs it well and with the insane, unbalance of the lace overlay, it should sail down the runway...4 looks. Crazy ribbed rayon stretch long and ruched black fabric that will envelope the torso combined with heavy black knit, boned to create architectural proportions that take a brave one to wear...4 looks. 8 models - they all speak to me on different levels of creativity. So, what are you afraid of? De quoi avez-vous peur?

Wednesday, October 17, 2012

De quoi avez-vous peur?

Preparing for my Fall/Winter/Now Collection: De quoi avez-vous peur?....So, what are you afraid of?
Tuesday, 13th November chez Justine's...more to follow...

Sunday, July 22, 2012

Inflatable balloons...aren't they all?

Last week, I took the students to Les Docks: Cite de la Mode...a new building along the Seine where there were 2 side-by-side exhibits of Balenciaga and Comme des Garcons...we talked of compare and contrast.
The 2 exhibits were small...in shotgun like spaces. Balenciaga's focused on many vintage pieces: Victorian, Edwardian, ethnic and such that informed his design process. Much of it was black, displayed flat in glass top drawers. His couture pieces - displayed on mannequins - spoke to a timelessness of design. It was amazing to his direction - as he designed almost simultaneously in the era of Chanel - and how their approaches were so different. The students were amazed at his approach. Then on to the white room of Rei Kawakubo - large clear balloons, run by generators that kept them inflated, housed her collection "White Drama." The photos tend to say it all...